Neil Losin

Watching the Earth turn through your camera

Posted by Neil Losin at 8:00 am on May 7, 2012
May 072012

On Saturday, I couldn’t help but go outside and watch the “supermoon” for a while. For those who don’t know, supermoon has become the fashionable term to refer to a full moon that coincides with the closest approach the moon makes to Earth in its orbit (also called the moon’s perigee). Saturday’s supermoon was about 30 percent brighter than the average full moon, and as I stood outside my apartment building at around 10pm, the light from the moon seemed to overwhelm the LA streetlights.

I figured this would be a good opportunity to get some images of the moon’s disk, so I brought out my camera and my biggest telephoto lens, a 500mm. As many photographers know, you can use a modern SLR’s “live view” function to help you manually focus on small or distant objects; by magnifying the sensor’s image, on the camera’s LCD screen, you can see minute details and focus more precisely than you can by looking through the viewfinder.

As it turns out, this is a pretty cool way to see some amazing details on the Moon, too! With a decent telephoto lens and magnified Live View, your camera isn’t half-bad as a telescope. My wife Liz was looking at the highly-magnified moon image on my camera’s LCD screen, and she asked “why does it keep moving?” I wasn’t sure what she meant at first; it’s hard to keep the camera steady at extreme magnification levels, but the motion Liz noticed was smooth and consistent. We both realized at the same time what we were seeing: the moon’s apparent motion across the night sky! We were seeing the Moon with so much magnification that we could actually watch it “move” as the Earth rotated beneath it! Pretty darn cool, if you ask me!

Here’s how you can observe this effect yourself:

  1. Attach your camera and your longest telephoto lens (mine was a 500mm + 1.4x teleconverter, but a shorter combination should also work) to a sturdy tripod.
  2. Aim at the moon, focus through the viewfinder, and lock down the tripod.
  3. Switch to Manual exposure mode to maximize your control over the Live View image. If your camera allows “exposure simulation” in Live View mode, that’s the option you want.
  4. Activate Live View and adjust your aperture and shutter speed settings to get an image of the moon on your screen that’s not overexposed.
  5. Zoom in as far as you can on the Live View image. Fine-tune your focus on the moon.
  6. If your lens has Image Stabilization / Vibration Reduction, turn it OFF. By attempting to correct for random camera movement, your lens’s IS will obscure the subtle movement of the moon.
  7. Enjoy watching the moon move across your LCD screen!

Let us know if you try this for yourself. How did it work? (You don’t need a supermoon to make this work — try it out on any moon, any phase, super- or not-so-super!)

Kickstarter update: We're going to Spain!

Posted by Neil Losin at 8:56 am on April 20, 2012
Apr 202012

Say hello to Dr. Dappen!

A few weeks ago, we introduced our readers to an exciting new Day’s Edge project: The Symbol: Wall Lizards of the Pityusic Archipelago, a photography / science book about the iconic reptiles that Nate has been studying for his Ph.D. Speaking of which, Nate successfully defended his dissertation on March 28! Say hello to Dr. Dappen!

The other big news is that we reached our Kickstarter goal yesterday, and that means one thing: We’re going to Spain!

First and foremost, a sincere THANK YOU to all of our backers! We couldn’t have done it without every one of you. By the end of yesterday, our 199 backers had pledged a total of $15,268 — an average pledge of over $76. We’ve been overwhelmed by the generosity of our friends, family, and lots of folks we’ve never even met before!

A beautiful orange lizard from Las Islas Negras.

Kickstarter uses an all-or-nothing funding system: project creators only keep the money they’ve raised (and project backers are only charged) if the project meets its funding goal.

Now that we’ve reached our do-or-die goal, we can put all the money we’ve raised into our book, The Symbol: Wall Lizards of the Pityusic Archipelago. But that doesn’t mean we can’t make this project even better! We’ve still got 10 days left before our Kickstarter campaign is over. The initial $15,000 that we have raised will get us to Ibiza and Formentera for 1 month of photography, allow us to lay out the book, and help us print a small initial press run for sale on the islands.

So what’s next?

We’re photographers, and that means we love to see our pictures printed — that’s why we first envisioned this project as a book! But we also realize that the world of reading is changing, and not everyone wants to carry a book around with them. So we want to develop The Symbol into an iPad app available in Apple’s App Store. Along with the basic book, we will add slideshows and short videos into this “app-book,” creating a true multimedia experience.

Building the app will cost us about another $5000. With 10 days to go, we think we can make this happen! Here’s what we can do to make it worth your while:

1) When we reach $17,500: For new and existing backers at the $25 level or above (and existing backers who increase their pledge to $25 or more), we’ll give you a beautiful PDF edition of The Symbol to read on any computer or mobile device. We’ll also make the PDF edition of the book freely availabletoIbiza and Formentera’s primary schools.

2) When we reach $20,000: We will develop the iPad edition of The Symbol: Wall Lizards of the Pityusic Archipelago — an interactive e-book enhanced with additional images and video clips. We will also donate a hard copy of The Symbol to every primary school on Ibiza and Formentera.

The rugged, uninhabited island of Es Vedra

So what can you do?

If you’ve backed the project but have pledged less than $25, increase your pledge to $25 or more to get the PDF edition of The Symbol when we reach $17,500! If you haven’t backed the project yet, now’s your chance! And whether you’ve made a pledge or not, help us get the word out! I know every one of our backers, and everyone who reads this blog, has a few friends who would love to support this project. Use email and social media to share the link to our campaign. Tell your friends that you made a pledge, and that they should too!

Thanks again to our backers for their incredible generosity!

Once our expedition begins, we’ll be posting images and videos from the field regularly. Expect these e-updates to begin when we leave for Spain in mid-June. We’ll see you then!

- Neil Losin, Nate Dappen, and Valentin Perez-Mellado

Cryptic species in our own backyards!

Posted by Neil Losin at 9:00 am on April 17, 2012
Apr 172012

A few weeks ago Dr. Catherine Newman, a biologist at Louisiana State University, published a paper describing a new frog species, previously unknown to science. Many of us have grown accustomed to reading news about new frogs being discovered in remote, primeval forests around the world – frogs just aren’t a very well studied group, so we still have a lot to learn. But this discovery was different. The new frogs described described by Newman live in one of the most urbanized places in the world – New York City. The idea that an unknown frog was living virtually in the shadows of New York’s skyscrapers made this story an instant classic, and news outlets around the world announced the finding to great fanfare.

The remarkable thing about these frogs, however, wasn’t that they were unknown to science. It was that we knew the frogs were there all along, but no one had ever studied them carefully enough to realize they were something new! The frogs in question were clearly “leopard frogs” – a widespread group in North America – but for decades, herpetologists couldn’t agree whether they were Northern Leopard Frogs (Rana pipiens) or Southern Leopard Frogs (Rana sphenocephala). These two species look nearly identical, and the New York frogs produced calls that didn’t sound like either species. Newman and her colleagues compared DNA sequences of the New York frogs with both of the better-known leopard frog species and found strong evidence that the New York frogs belonged to a third, previously unrecognized species!

Biologists might call these New York frogs (which still don’t have an official Latin or English name) a cryptic species – a species that is genetically distinct from its relatives, but otherwise difficult to tell apart.

A thin crust of snow is slow to melt on a north-facing talus slope in the San Gabriel mountains

But if it’s not obvious that two species are different, should we really care that they are? Well, if their DNA shows that they haven’t been exchanging genes with their closest relatives for a few million years, then clearly they know that they aren’t the same species! More pragmatically, conservation biologists care about cryptic species because their genomes may contain genetic information that’s not contained in the genomes of any other species. That genetic information could be the key to a species adapting and surviving in a fast-changing world.

Coincidentally, I recently learned that Los Angeles has its own enigmatic amphibian. But unlike the familiar-but-incognito leopard frogs described in New York, ours lived completely undetected until just a few years ago.

The San Gabriel Slender Salamander (Batrachoseps gabrieli) has only been observed at a handful of sites in the San Gabriel Mountains, northeast of LA. The first specimens weren’t collected until 1985, and even then, it took until 1996 for Dr. David Wake to examine the museum specimens carefully and realize that this species was quite distinct from any of its known relatives – not just genetically distinct, but visibly different from any other species in its genus. Genetic evidence suggested that this species had split from its nearest relatives something like 10 million years ago!

As soon as I read about the San Gabriel Slender Salamander, I wanted to find it for myself! How could something so different be living right under our noses in one of the world’s great metropolitan areas? I looked up the latitude and longitude of the sites where these salamanders were first collected, and on a crisp day in early March, I drove into the mountains with my camera.

According to the scanty literature I could find, the San Gabriel Slender Salamander favored north-facing talus slopes. It was only a short hike from the highway to reach the first GPS coordinates I was looking for, and when I stopped I was faced with a long, steep expanse of loose rock – the habitat fit the bill perfectly. So I began to climb, carefully searching under rocks and logs as I went. In the first hour, I found a lot of nothing… a few centipedes and beetles scurried away when I lifted their shelters, but there was no sign that I was in salamander country.

An Ensatina eschscholtzii poses for the camera before being returned to its home under a rock.

After about an hour, I spotted what looked like a fat earthworm under a large rock… It turned out to be the tail of a retreating Ensatina eschscholtzii – a big, rubbery, dull-pink salamander that’s found in mountainous areas all over California. I was re-invigorated – there were salamanders here!

I photographed the Ensatina, returned it to its home, and continued searching for my real target. Finally, after another hour or two of methodical searching, I lifted a big, flat rock in a well-shaded section of the talus slope and saw a tiny, curved shape among the roots and pebbles – the San Gabriel Slender Salamander! It was smaller than its name, mostly black, but with beautiful golden speckles down its back.

Batrachoseps gabrieli in all of its glory!

I kept the little salamander cool and moist during a brief photo shoot (like other members of the family Plethodontidae, the slender salamanders have no lungs – they need to stay moist so they can absorb oxygen through their skin!), and then carefully returned it to its home, which I had marked with a tripod of sticks to help me find it again among the scores of similarly sized rocks that dotted the talus slope. I was so thrilled to find this amphibian enigma that I was tempted to keep looking for more, but I had satisfied my curiosity, and I decided to leave the salamanders alone.

As I gathered my camera gear to head back home, I reflected on my find. I was, at most, a ten-minute walk from a well-traveled highway. That morning, I had eaten breakfast in my apartment in LA, and I would be back home by early afternoon. While I was searching for the salamanders, the growls and rumbles of motorcycles climbing the steep, winding highway were a constant reminder that I was still very much in civilization. Yet I had just found a beautiful little animal that, when I was born in 1983, no one even knew existed.

Batrachoseps gabrieli, the little-known salamander endemic to Los Angeles County, one of the world's most heavily populated areas.

On the one hand: how could a species remain undetected for so long in a place that’s so accessible to people? On the other hand: how could it not remain undetected? With a penchant for cool, wet spaces between rocks, north-facing talus slopes were the place to be. It’s hard to imagine a slow-moving, inch-long salamander traversing ridges to get from one talus slope to another. But these salamanders have 10 million years of history behind them; that’s a lot of time to get around. And one way or another, they’ve managed to populate several talus slopes in the San Gabriel Mountains.

If there are new species of vertebrates waiting to be discovered in our own backyard, then surely there are countless cryptic species of insects and spiders all around us – and that’s just the start! Imagine the unexplored diversity among those organisms so small that we can’t even see them: rotifers, nematodes, protists, bacteria, viruses! Consider the diversity of parasites that live inside the bodies of better-known organisms. We clearly still have a lot to learn, even about the nature that’s closest to us!

Cited:

Newman, C. E., J. A. Feinberg, L. J. Risser, J. Burger, H. B. Shaffer. 2012. A new species of leopard frog (Anura: Ranidae) from the urban northeastern US. Molecular Phylogenetics and Evolution 63(2):445-455.

Note: The salamander images in this post were photographed using the Meet Your Neighbours “field studio” approach. I’ve just started working on this project with some incredibly talented photographers from around the world. What a great visual way to get people connected with the wildlife all around them!

Project launch - we need your help!

Posted by Neil Losin at 6:00 am on March 27, 2012
Mar 272012

Hi, everyone! I know, the blog has been awfully quiet lately. That’s because Nate and I have been working hard to finish our PhD’s this spring — in fact, Nate is defending his dissertation later this week! Wish him luck!!!

We’re really excited to be on the brink of finishing our degrees, because we have a bunch of cool projects on the horizon. The first one is a book project that we think you’ll love. We’ve launched a Kickstarter crowd-funding campaign to get the book off the ground, and we would be forever grateful for your contributions to the project! And whether you can help us financially or not, we would love your help in spreading the word about the project. You can learn more and donate on the Kickstarter page. but here’s a little blurb about the project.

We want to create a unique coffee-table book called The Symbol: Wall Lizards of the Pityusic Archipelago. The Ibiza Wall Lizard (Podarcis pityusensis) – a threatened species that’s only found on Ibiza and Formentera — is the symbol of these Spanish Mediterranean islands. The lizards appear in art, on clothing and postcards, and their images are on display in restaurants, hotels, and homes throughout the islands. Despite their iconic status, few people know much about the lizards, and there’s no place for tourists and locals to learn more about this fascinating species. The Ibiza Wall Lizard may have the greatest diversity of colors of any reptile — it can be from green, blue, orange, and even black! In fact, Nate has earned his PhD studying the evolution of color in this species. It’s also one of only a few lizard species worldwide that acts as a plant pollinator and seed disperser, so it plays a crucial role in the health of this island ecosystem. The Symbol will bring lizard folklore, biology, and conservation together in the first-ever book about the Ibiza Wall Lizard, complete with spectacular photos and engaging text. The book will be available in four languages – Spanish, English, German and Italian – the four most common languages of the islands. It will be a perfect souvenir for tourists, and a wonderful gift to the locals. By donating to our project, you’ll help make lizards synonymous with nature on these islands, and change the way people think about Ibiza’s reptilian icon forever!

Go to the Kickstarter page!

Opportunity: "Environmental Visual Communication"

Posted by Neil Losin at 7:05 am on January 30, 2012
Jan 302012

Our friend Neil Ever Osborne, a Canadian conservation photographer and a member of the International League of Conservation Photographers (iLCP), has created a new graduate certificate program in “Environmental Visual Communication.” It’s a 6-month-long program, which includes a full-time summer “Applied Project,” for which students are placed with environmental organizations or other clients to create a visual outreach product. Osborne has previously taught visual communication and multimedia courses at Stanford University and elsewhere, but this is the first time, to my knowledge, that anyone has created an immersive, fully integrated program in environmental visual communication.

The list of courses is impressive: everything from “methods” courses, to help students learn the technical skills to make the most of their cameras and editing software, to more theoretical courses on visual and verbal communication strategies, to courses on business practices and professional skills for budding environmental media professionals. Take a look for yourself! I can’t wait to see who the instructors are — Osborne is well connected in the field (through iLCP and other channels), so I know he’ll pull together an all-star team to teach these courses.

Finally, one of the coolest aspects of the whole program is that it’s based at the Royal Ontario Museum in Toronto, one of the top science and cultural museums in Canada. The resources of the museum, their expertise in bringing science to the public, and the connections with scientists who work at the museum really set this program apart. If you’re interested in communicating visually about science and the environment (and if you’re reading our blog, it’s a good bet that you are), take a serious look at this program! They are accepting applications now.

Ear candy: Neil is interviewed by the G2 Gallery

Posted by Neil Losin at 6:57 am on January 20, 2012
Jan 202012

As a hectic week comes to an end, I’m looking forward to doing something other than sitting in front of my computer this weekend! I hope our readers have some fun outdoor plans this weekend as well. In the meantime, here’s some listening material for your last work day; it’s a short interview I did at the G2 Gallery in Venice, CA following the opening of my photo exhibit there. The website that I created about the birds of the Santa Monica Mountains (referenced in the interview) is here: Sea to Sky: Birds of the Santa Monica Mountains.

Listen to the interview

‘Daddy issues’ and the origins of biodiversity

Posted by Neil Losin at 8:30 am on January 19, 2012
Jan 192012

ResearchBlogging.orgYears ago, after I met my future father-in-law for the first time, my grandmother asked me a curious question. Her exact words escape me, but the gist was: “So, is he a lot like you?” She figured that if my girlfriend liked me, I must remind her of her father. It’s a pervasive bit of folk wisdom: men go for women like their mothers, and women are attracted to men like their fathers. Right?

The evidence for such a pattern in humans is tenuous, but sexual imprinting – the process by which an individual’s mating preferences are influenced by its opposite-sex parent – is important in many species. It helps ensure that animals don’t mistakenly mate with the wrong species. And new research by Dr. Genevieve Kozak and colleagues suggests that sexual imprinting may also promote speciation – the process by which new species are born.

One way speciation can happen is if a single population splits into two, with each evolving unique “ecological traits,” such as dietary or habitat preferences. Biologists call this ecological speciation. Speciation isn’t complete until the two populations also evolve traits, such as species-specific mate preferences, that prevent them from interbreeding. This is actually more difficult than it sounds; since offspring inherit half their genes from each parent, mating preferences aren’t always inherited in tandem with ecological traits.

But what if a single trait affected a species’ ecology and its mating preferences? Such traits have been called magic traits. In a study published in Proceedings of the Royal Society, Kozak and her colleagues tested an intriguing idea: that sexual imprinting can transform an ordinary ecological trait into a magic trait. In theory, this was possible – if offspring imprint on an ecological trait that differs between species, that could create an automatic preference for own-species mates – but it had never been documented in nature.

Kozak and colleagues studied threespine sticklebacks (Gasterosteus sp.), fish that inhabit Canadian lakes created by retreating glaciers after the last ice age. In many lakes, sticklebacks have diverged into two forms: a benthic form that forages on lake bottoms, and a limnetic form that forages in open water. The two forms differ in several ecological traits, and they prefer to mate with partners of their own form. In other words, they seem to be two populations well on their way to speciation. For simplicity, let’s call them “species.” For decades, evolutionary biologists have studied sticklebacks to learn about speciation.

Male sticklebacks guard the fertilized eggs and newly hatched fry until they until they can fend for themselves. Could sexual imprinting explain the sticklebacks’ mating preferences? Kozak and colleagues tested this idea by matching stickleback eggs with “foster fathers” of either their own species or the other species. If sexual imprinting was occurring, the authors predicted that adult sticklebacks would prefer mates belonging to the same species as their foster father.

The key finding: only female sticklebacks raised by a conspecific (same-species) father preferred own-species mates at a level greater than chance. Own-species preference scores are above the dotted line.

Sure enough, when tested later in life, female sticklebacks preferred males belonging to their foster father’s species, not their biological father’s species. Only females raised by a foster father of their own species chose own-species mates at a level greater than expected by chance. The mating preferences of male offspring were not affected by the species of the foster father.

Not every foster father showed the same parental diligence, so Kozak and colleagues asked whether specific parenting behaviors were related to the foster offspring’s mating preferences. They found that one parental behavior had the greatest impact on mating preferences: the amount of time the foster father spent depositing “nest glue” in the nest 4-5 days after the eggs were laid.

At this age, the embryos can smell but cannot yet see, suggesting that chemical cues (like the odors present in nest glue) guide their eventual mating preferences. These chemical cues depend partly on diet and habitat, so benthic and limnetic sticklebacks each have a distinct odor. Sexual imprinting creates an automatic association between a male’s odor and the mating preferences of his female offspring, transforming a simple ecological trait into a magic trait. In so doing, sexual imprinting promotes the evolution of populations that not only differ ecologically, but do not interbreed – in other words, species!

Sexual imprinting is widespread in animals, so how often does it play a role in ecological speciation? Is speciation more frequent, or more rapid, in species in which sexual imprinting occurs? These questions will require more data to answer properly. For now, we can say that for a couple of little fish that play a starring role in evolutionary biology, a girl’s attraction to guys like her father might just hold a key to the origin of species.

Citation:
Kozak, G., Head, M., & Boughman, J. (2011). Sexual imprinting on ecologically divergent traits leads to sexual isolation in sticklebacks Proceedings of the Royal Society B: Biological Sciences, 278 (1718), 2604-2610 DOI: 10.1098/rspb.2010.2466

Note: I wrote this post for a recent fellowship application, for which I had to provide an original writing sample. Since it was already written, and the application has been submitted, I figured it would be a shame not to share it here on the blog. Enjoy!

New year, new photos on Day's Edge!

Posted by Neil Losin at 9:00 am on January 5, 2012
Jan 052012

Both Nate and I are in the final stages of our PhDs, and while that’s very exciting for us, it also means we’re swamped! The next few months are going to be a little crazy. Nevertheless, we’ll do our best to keep things interesting here at Day’s Edge!

We’ve got a lot of exciting projects on the horizon in 2012. But first, I’ve got some unfinished business from last year. Nate recently posted a spectacular gallery of images from his work in the Mediterranean, and — having recently finished up my fieldwork in Florida — I wanted to share some photos of my research as well. You can see my gallery here, or by clicking on the image (right). I didn’t do quite as thorough a job as Nate at documenting the people and places where I work. But I did my best to capture my research subjects, their behavior, and some of the other amazing creatures I encountered as I worked.

I also recently updated my photography website, www.neillosin.com. Having spent a lot of time creating films in 2011, I didn’t have as many new photos to add to my website this year as I have in years past. Still, I got some new images that I really like, and you can see the whole batch of new images here, or by clicking the image (left). Enjoy!

Day's Edge Year in Review: 2011

Posted by Neil Losin at 8:32 pm on December 31, 2011
Dec 312011

Is it really almost 2012? Between research, teaching, photography, and films, the last year has really flown by at Day’s Edge Productions. Let’s take a quick look back at some of the things that made 2011 a great year at Day’s Edge:

JANUARY: After winning a travel grant from the National Evolutionary Synthesis Center (NESCent), Neil attends the Science Online 2011 meeting in North Carolina. He meets lots of new science communicators and starts using Twitter. Around the same time, Neil’s cover feature on burrowing owls is published in Birder’s World magazine.

FEBRUARY: Along with colleagues Molly Mehling, Kari Post, and Melissa Evanson, Nate and Neil launch SustainableFocus.org, a web magazine and online community for scientists, photographers, educators, and anyone interested in using visual media to communicate about science, nature, and sustainability.

MARCH: The Day’s Edge Productions website goes live! Nate receives the 2011 NANPA College Scholarship, and Neil returns to the NANPA college program as a mentor. In McAllen, Texas, they photograph some of the unique wildlife of South Texas. Nate and the other college students produce a short multimedia film in English and Spanish for Santa Ana National Wildlife Refuge.

APRIL: Nate and Neil head to “the field” — Formentera for Nate, and Miami for Neil. Nate makes some short videos about his experiments, which you can see here and here. Meanwhile, Neil appears alongside cast members of One Tree Hill in a TV pilot called Wild Life: A New Generation of Wild, produced by award-winning photographer Ian Shive.

MAY: Nate continues his fieldwork in Spain, and is visited by Joris van Alphen. Joris, one of the world’s best young nature photographers, helps with fieldwork and co-produces a short film about lizard cannibalism: “Cold-blooded Cannibals.” Meanwhile, Neil’s article on territorial behavior in birds is published in Living Bird magazine.

JUNE: Nate finishes his field season in Formentera, while Neil returns to Miami to continue the work he started in April. “Cold-blooded Cannibals” wins the NESCent Evolution Film Festival!

JULY: Neil continues his field season, and Nate and Neil produce “Field Vision 6 – Anolemageddon!” a short film about Neil’s experiments in Miami, which is featured on the National Geographic website. Three of our films are screened at the Animal Behavior Film Festival, and “Battle of the Sexes” wins the top prize in the non-commercial division.

AUGUST: Neil and Nate travel to Austin, Texas to teach a Photography for Ecologists workshop at the Annual Ecology Society Association (ESA) meeting. Neil then heads for Puerto Rico to finish up his field season. Nate meets him there to help with research and filming. Together they create “Field Vision 7: Bite Force” – a short film about Neil’s work in Puerto Rico, which is featured on the National Geographic website. Still in Puerto Rico, Nate and Neil visit a remote cave to film “Snakes in a Cave.”

SEPTEMBER: Neil and Liz Losin launch their video “Neuroplasticity”, which was created for the Society of Neuroscience’s film competition.

OCTOBER: Neil and Nate head to the Jackson Hole Wildlife Film Festival and met some amazing filmmakers from around the globe. Later that month, Neil (a National Geographic Young Explorer) gives a public talk about his research at National Geographic Headquarters in a NG Young Explorers Salon. At the end of the month, Nate and Neil launch “Snakes in a Cave”, which is featured on the National Geographic website.

NOVEMBER: Nate and Neil finish “The Runner,” a short film created for the World Wildlife Fund (WWF) Film Festival. Later in the month, Neil’s nature photography exhibit opens at the G2 Gallery in Venice, CA.

DECEMBER: “The Runner”wins the jury prize in the WWF film festival. Unfortunately, Nate and Neil can’t travel to India to accept the award in person, but will still be creating a film for WWF in 2012. “Snakes in a Cave” is selected as the 2nd most astounding animal video of 2011 by Scientific American.

It was awesome year and plans are already afoot for an epic 2012! Thanks for all your support in 2011, and Happy New Year to all!

PHOTOS: My exhibit at the G2 Gallery

Posted by Neil Losin at 9:00 am on December 15, 2011
Dec 152011

A number of my LA-area friends made it out to the opening reception of my exhibit at the G2 Gallery last month, and I’m very grateful to all of you who showed up! Eleven of my photos — all images of local birds — are included in the “Emerging IV” exhibit, alongside some wonderful images by fellow photographers Christopher Taylor and Sheri Mandel. But since not everyone could make it to the opening (and not all of my friends live in LA!), I figured I should take some photos of the exhibit while it’s still up. If you are in the LA area, you’ve still got time to see the exhibit in person; it will be on display at the G2 Gallery through the end of the year!

The Emerging IV exhibit (wide shot, including "my" wall in the center)

Sheri Mandel's beautiful black-and-white wildlife images

Christopher Taylor's awesome wildlife shots from around the world

My section of the exhibit, closeup. All images are of birds found in LA County.

My section of the exhibit, even closer. If you want a closer look, visit the gallery!

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